The first two releases remain landmarks in the Isis catalogue, amazing records both sonically and conceptually. Indeed, for those who took the time to immerse themselves in the attendant semiotics of the two records, the rewards were many. Celestial was not merely heavy for heavy's sake; it revealed the highly detailed and often subtle nature of Isis' aural and visual blueprints - Sgnl>05 was an even more ambient extension of these latent aesthetics.
With the pale seasons at hand, fall and winter 2001 commenced a brief hibernation period during which most of the music that would become Oceanic was written. Whereas Celestial was the culmination of past efforts, a full realization of Isis' collective talents, Oceanic is the re-envisioning of that ideal, striking a balance between gravity and complexity, achieving a dynamic equilibrium through the sharpening and honing of harmonic elements. Featuring texturally enhancing guest performances from Ayal Naor and Maria Christopher of 27, Oceanic is clarity through understatement; total conceptual and atmospheric control via the harnessing of hydraulic and instrumental inspiration. Paring back the density of previous releases to reveal a more articulated melodic infrastructure, Oceanic is highly meditative and perceptually abstract, vaguely hallucinatory and eminently contemplative. Oceanic is a striking testament to Isis' ongoing evolution.
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