BLONDE REDHEAD - 23 reviews
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| StylusMagazine |
Eight years ago Blonde Redhead wrote “In Particular,” a song they will never write again, because, 23 says blithely, they don’t have to. Doomed as we are, perhaps, to on-repeat the few clean, snappy cuts tucked in an interminably listless oeuvre, we forget that this oeuvre is one of the most forgivably and digestibly sad. From 1995’s tawdry, one-minute-twelve-second post-it lullaby “Young Neil” to 2005’s morgue-dance title track “Misery Is a Butterfly,” this trio is that rare band to whom fans gushingly assign derogatory adjectives—meaning well from their coma on the floor....full text |
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| PrefixMag |
| Blonde Redhead's evolution from Sonic Youth/no-wave imitators to lush, cinematic benefactors of grandeur has been rewarding. Starting with 2000's Melody of Certain Damaged Lemons and continuing on 2004's Misery Is a Butterfly, Blonde Redhead has perhaps been our most accurate purveyor of mystic meditation. Both of those albums stand up because they're expressed as a consummation of personal and musical growth. And now 23 is the most exquisite exponent of the band's entire career....full text |
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| Lost At Sea magazine |
| There are a few labels whose stable of artists have near universal appeal to me. When it comes to such blanket interest, 4AD is the first label that comes to mind - especially when considering perfect musical rosters. The team of artists 4AD currently has stabled, when combined with those they have worked with in the past, read like a music lover's wet dream: The Pixies, Dead Can Dance, Bauhaus, Cocteau Twins, TV on the Radio, the Mountain Goats, Red House Painters and Beirut are just a few of the amazing groups that have spent time in the house that Ivo built. ...full text |
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