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LAURA VEIRS - Saltbreakers








AV Club
Laura Veirs has always been a stronger lyricist than she is a singer, guitar player, and bandleader: Her albums are loaded with more wordplay than you can shake a Roget's at. Though her folk-pop songs sometimes tread dangerously close to sad-girl-with-a-guitar territory, they're inevitably buoyed by shimmering instrumentation and ethereal delivery. Her last album, 2005's excellent Year Of Meteors, was a great leap forward, as she and her unfortunately named backing band, The Tortured Souls, finally gelled, creating consistently tight, tasteful arrangements that never wallowed in their own introspection....full text

Dotmusic
Earth sciences. So often overlooked as a source of inspiration by our clay-footed pop community. It takes a geology graduate, with a guitar and a knack for melody, to be able to unlock the magic in the natural world and commit it to, so far, four albums. In "Saltbreakers" (a term for waves) the Colorado-raised, Portland-based singer-songwriter follows on in a similar vein to 2005's "Year Of Meteors" and "Carbon Glacier" before that: guitar and piano-based Americana, sprinkled with ethereal chamberlin (vintage Mellotron-like keyboard), viola, marimba and flugelhorn and topped by the most unadorned voice in alt-folk, singing lyrics of almost nerdy intelligence....full text

DustedMagazine
“Sorry I was cold, I was protecting myself,” Laura Veirs begins, the first line in the first song (“Pink Light”) of her sixth luminous album, in a voice that is clear and pure and vibrato-free with just the hint of a child’s blurry vulnerability at the edges. It sounds personal, confessional, unadorned and yet with the next line the verse turns fancifully metaphoric. “Drifting along with my swords out flying /Tattering my own sails and I tattered yours, too.” It is the first in a salvo of 12 episodes of songwriterly magical realism, set in tidal pools and seagoing vessels and populated with pirates and mermaids and sentient forest fires....full text



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