The Young Knives - Superabundance reviews
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| Guardian |
The opening track has tweed-clad frontman Henry Dartnall intoning, "Home; home is where the house is," staccato and completely deadpan. From anyone but Ashby-de-la-Zouch's intriguing post-punk trio, it would grate - but not here. The follow-up to 2006's Voices of Animals and Men is a slick collection of darkly sketched Britpop that combines in-jokes and jagged pop riffs. Up All Night pilfers the name of a Razorlight song, while sardonically attacking everything Johnny Borrell and his ilk stand for; Rue the Days seems to sum up Blur's entire musical history. It's only on the soppy likes of Turn Tail, and Flies, that they lose their edge. Young Knives are far sharper when they make things fast and furious....full text |
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| Musicomh |
It seems like these guys were born to give lip! The strong minded, cynical and sarcastic Young Knives try to conjure up their unique brand of eccentric English magic in Superabundance, their second studio album.
Unfortunately the spell falls a little short and rather than being entrancing the album is only mildly entertaining. The overriding issue that the trio from Ashby De La Zouch contends with is the comparison to their first, Mercury-nominated album, Voices Of Animals And Men....full text |
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| Nme |
| Knobbly knees, Madness, braces, Eddie ‘The Eagle’ Edwards, bouncy castles, the Monster Raving Loony Party – doesn’t it all make you want to shoot yourself in the face? English eccentricity is surely the saddest facet of parochial Britain, a ‘tradition’ built from the desperation of lonely men screaming for attention by squatting in a baked bean bath on regional news. It’s not dignified nor is it very healthy....full text |
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