The Notwist - The Devil, You + Me reviews
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| Adequacy |
 Let me start by justifying how the German electro-noise-pop trio The Notwist can have RIYLs of Radiohead, Bjork, Eels and Lali Puna. If you listen to The Devil, You + Me with a discerning ear and an open mind you will undoubtedly hear remnants of Radiohead's electronic-tinged, post-rock angst. You will hear a fusion of strings and stuttering beats presented with an emotional depth similar in style to Bjork. And you will hear parallels to the disparate, poignant and gauzy rock of Eels coupled with the soothing, ambient electro-pop of Lali Puna....full text |
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| Drownedinsound |
| The Notwist’s absence from record-releasing ways – six years, since 2002 – wasn’t noticed by all that many in the music industry if a bigger picture is focused on, but the Germans’ return is cause for celebration regardless: charts will remain unconquered, the mainstream more than a fluke hit out of touch, but The Devil, You + Me is an album, some two years in the making, that’s worth the wait....full text |
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| Billboard |
| The past two decades have seen more than a few incarnations of German musical eclectic the Notwist. Its 1989 debut was driven by hardcore metal influences, making it just about the polar opposite of recent efforts like 2002's "Neon Golden," a dreamy, Technicolor lullaby. "The Devil, You + Me" follows in that album's stunning panorama, combining Markus Archer's hushed vocals and haunting harmonies with a slowly dissolving pace that progresses from the forward-rushing opening track "Good Lies" to the bare and ambling closer "Gone Gone Gone."...full text |
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