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Underoath - Lost In The Sound Of Separation
| Billboard |
| Unrelenting and often harrowing, Underoath's newest is filled with the band's characteristic bone-crunching riffs and a reduced role from drummer/vocalist Aaron Gillespie, allowing frontman Spencer Chamberlain's guttural howls to take command. Throughout its 41 minutes, "Lost in the Sound of Separation" occasionally teeters on the precipice of unfamiliar territory. Chamberlain trades his screams for sung parts on "Too Bright to See, Too Loud to Hear," and the sparse, electronic-based closer "Desolate Earth: The End Is Here" is largely instrumental except for a few lines....full text |
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| Sputnikmusic |
| In the months leading up to Lost in the Sound of Separation underOATH (hereafter referred to as just ‘Underoath’) has been building up quite the hype train. After a short series of videos about their time in studio, they were oft-quoted as saying the record was going to be more “epic” and at the same time “way heavier” than their previous effort, Define the Great Line. The promise of something more musically engrossing that would be heavier than Define the Great Line (which, for how poppy it was, was very heavy) was something fans just couldn’t help but get stoked for. The resultant album, Lost in the Sound of Separation brings a tighter sense of songwriting and more experimentalism with their sound and song structure, but seems to lack the “heavier” nature promised, although it is more grand and expansive than anything they have ever written....full text |
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| Allmusic |
| 2006's Define the Great Line proved to be a turning point for faith-based, post-hardcore/screamo outfit Underoath. While the tendency to dissolve into the abyss of angtsy emo-pop was still there, there was a darkness lurking in the nooks and crannies between the crackling snare hits and heavy "drop-d" riffing that hinted at a little pre-evolution, a notion that comes to fruition with their sixth studio record and fourth for Solid State (the metal subdivision of Tooth & Nail Records). Lost in the Sound of Separation gets off to a rocky start with its two most forgettable songs, "Breathing in a New Mentality" and "Anyone Can Dig a Hole But It Takes a Real Man to Call It Home," both of which are big, loud, mean, monotonous, and virtually interchangeable with any other formulaic "loud, quiet, scream, loud, quiet, scream" alt metal tune....full text |
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