Review : Paramore - brand new eyes
DrownedinsoundA guilty pleasure right? Platinum-selling, Wembley-filling, emo-punks Paramore. With their anthemic, prodigious take on guitar pop, it's no wonder the kids love them. But with brand new eyes, their third album proper, do the band's claims that they plan to 'venture out and experiment with our sound to see how far we could push ourselves' hold any water? Could this mean a new, bigger, better Paramore, or is this the sort of remark only heard before a band get 'serious' and lose what was so special about them in the first place under a mountain of strings, idiosyncratic time signatures and moody posturing?
Their debut All I Know Is Falling was as passionate and precocious an album as could have been expected, although with some of the songs dating back to the bands' conception, faltered in places where it should have shined. Adversely, follow-up Riot! found the band stepping up not only their songwriting, but unfortunately their FM sheen as well, leaving the album a little too squeaky clean for its own good. But brand new eyes finds them achieving a satisfying middle ground between its two predecessors; guitars crunch and squall with the best of them ('Careful', 'Ignorance') while a peppering of subtle twinkles augment each song, from the mournful synths of 'Brick By Boring Brick' to the lullaby glockenspiel of 'Where the Lines Overlap' and the cascading leads of thunderous closer 'All I Wanted'....full text
SpinHayley Williams didn't spend her adolescence stalking the halls of a New England prep school. And her Christian faith probably precludes her from using the word goddamn like an indefinite article. But the flame-haired Paramore frontwoman is, without question, rock's Holden Caulfield: There's no limit to Williams' disgust with phoniness in all its forms.
After building a devoted fan base through tours with the B-list emo likes of Bayside and Cute Is What We Aim For, her young suburban Nashville quintet busted out in a major way with 2007's Riot!, a powerful little smart bomb of righteous-babe rhetoric that earned Paramore a Grammy nomination for Best New Artist alongside Taylor Swift and Amy Winehouse....full text
AllmusicWith 2007's Riot!, Paramore proved that pop hooks and a killer set of pipes can still vault a band to platinum status, economic downturn be damned. Success comes with a price, though, and Paramore struggled as media outlets reserved most of their coverage for Hayley Williams, deemed by many to be the group's leader. Rather than calling it quits, the musicians sought therapy in the studio, where tales of self-doubt and frustration were captured on tape by mega-producer Rob Cavallo. The anthemic, celebratory songs that made Riot! so appealing were largely absent, but the band found a new way to rock during those sessions, prizing catharsis and nuanced arrangements above the hooks of albums past. Released in late 2009, Brand New Eyes presents Paramore as a stronger, leaner, and altogether more consistent band. "Careful" and "Ignorance" are two of the group's most aggressive tunes to date, and the rest of the disc follows suit, with the guitar interplay of Josh Farro and Taylor York (who makes his studio debut here, having joined the lineup after Riot! was recorded) receiving much of the spotlight. Drummer Zac Farro anchors the band with a flurry of snare hits and cymbal crashes, but the true MVP is none other than Ms. Williams, who sings with all the gusto of an angsty, 21st century Ann Wilson. She's fun, fiery, and altogether fantastic, a pint-sized powerhouse who attacks everyone from holier-than-thou naysayers ("Playing God") to egocentric space cadets ("Brick by Boring Brick"). Williams also tones down the sonic assault whenever it's appropriate, offering a beautifully understated vocal during the album's centerpiece ballad, "The Only Exception," and championing the band's longevity during songs like "Where the Lines Overlap" and "Looking Up." "God knows the world doesn't need another band," she sings during the latter track, "but what a waste it would have been...I can't believe we almost hung it up. We're just getting started." Riot! explored similar thoughts with its closing track, "Born for This," but "Looking Up" is made all the more convincing by the band's recent turmoil. Accordingly, Brand New Eyes is the band's most credible album to date, a blend of melody and muscle that packs a punch in spite of its tumultuous origin....full text
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