| Popmatters |
The Le Pop compilations have been around for so long that you probably already know if you like them or not. The label stays true to its vision of French-language music: playful, upbeat, clever, modern and light. Tom Poisson is full of whimsy; Stephanie Lapointe is a kid with a glockenspiel; Marianne Dissard rocks in an on-off sultry way; and Feloche cuts Cajun music into a pretty collection of chips like a man making confetti out of Brie cheese. As the playlist goes on, the tracks get very faintly raucous, a reminder of the dark, harlequin tone that has become more prominent in exported European bands since the success of Manu Chao. Yvan Marc’s “Propaganda” closes with cynical energy....full text |
| Mundovibes |
| The last decade has seen the rise of French electronica and disco: one doesn’t have to try hard to conjure up their favorite dance groups or DJs like Daft Punk, Dimitri From Paris or Air. The French may have become synonymous with thumping beats but there’s a whole other French sound that has been equally fruitful, the chanson Française. This is not the French music your beatnik parents grew up with though. The sixth incarnation of the French compilation “Le Pop” shows just how far and wide the French song has come with sixteen tracks from across the French diaspora, from Paris to Louisiana. There’s an uptempo and feel good vibe to the selection, with but a couple songs showing a more melancholic side (Fredda’s ‘Fenêtre À Collioure’ is one). For the most part it’s a sweet, sassy and wild ride in an open convertible with the tunes blasting. La Patère’s ‘Chocolove’ is a whimsical, jaunty pop tune with sweet female vocals and banjo. Olivier Goulet’s ‘Alors Il Y’a La Lune’ is a smokey and vocal-driven song with Mali-esque blues guitar. Caracol’s ‘L’amour Est Un Tricheur’ is a catchy reggae-blues track with chocolate-rich female vocals. Jérôme Minière’s ‘Avril’ is a sensuous male-female duo that reminds me of Thievery Corporation’s ‘Lebanese Blonde’. Féloche’s ‘La Vie Cajun’ is the most “urban” song here, a scratch-laden and swamp-infused track with a dash of masala. Emmanuelle Seigner’s ‘Dingue’ is one of the collections more infectious songs with upfront vocals and a memorable chorus....full text |
| Elbo |
| The label stays true to its vision of French-language music: playful, upbeat, clever, modern and light. The Le Pop compilations have been around for so long that you probably already know if you like them or not. The label stays true to its vision of French-language music: playful, upbeat, clever, modern and light. Tom Poisson is full of whimsy; Stephanie Lapointe is a kid with a glockenspiel; Marianne Dissard rocks in an on-off sultry way; and Feloche cuts Cajun music into a pretty collection of chips like a man making confetti...full text |
Various Artists lyrics

The Le Pop compilations have been around for so long that you probably already know if you like them or not. The label stays true to its vision of French-language music: playful, upbeat, clever, modern and light. Tom Poisson is full of whimsy; Stephanie Lapointe is a kid with a glockenspiel; Marianne Dissard rocks in an on-off sultry way; and Feloche cuts Cajun music into a pretty collection of chips like a man making confetti out of Brie cheese. As the playlist goes on, the tracks get very faintly raucous, a reminder of the dark, harlequin tone that has become more prominent in exported European bands since the success of Manu Chao. Yvan Marc’s “Propaganda” closes with cynical energy.