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KEITH FULLERTON WHITMAN - Lisbon
| Lost At Sea magazine | | If a repertoire as expansive and diverse as Keith Fullerton Whitman's is required to bear a recording of Lisbon's alluvial magnificence, then the musical world may just have presented its case for justice. But to confine to a recording of this nature to 'the musical world' would be unjust. Whitman skirts about the confines of music, instead exerting his fascination with the capabilities of sound. As with many scientists of this ilk, his focus switches to surface texture and ambience; to the understated elements of audio that, when given their warranted attention, conjure the most expressive images....full text |
| | CokeMachineGlow | | I am going to interview Keith Fullerton Whitman this week, and don’t even know where to begin. I’m anxious about the prospect, largely because I need to find questions to ask the man other than the vague articulation – which likely constitutes the crux of my planned interview – “How do you do it?” My relationship with his music is what some might call, oh, I don’t know, idolatrous, and though I won’t jump so far over the edge of hyperbole as to label Whitman as an idol, the profundity of impact that his music has consistently achieved for me has as a consequence a kind of strangulating effect....full text |
| | TheMilkFactory | | The works of Whitman have veered from minimalist compositions that are reminiscent of the dampened sounds of the Arctic gale to the dark, unfettered thrashings of Krautrock. This document stands out from past efforts for the simple fact that, rather than following his tendency to rework compositions until every element is polished and impeccable, here he allows the original effort stand on its own, blemishes and all....full text |
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KEITH FULLERTON WHITMAN lyrics |
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